If you're going to try to argue such a gargantuan point, perhaps don't lead with such a paltry example. Of course an AI video slideshow is going to be fairly indistinguishable from a human. It doesn't exactly take Ken Burns or Errol Morris to put together a decent montage. 'Brad & Kelsey tie the knot!' is going to look fairly identical, whoever cut it, because there are very limited parameters for human expression.
Heck, even my very dated Iphone generates decent sappy video sideshows from the image archive.
The objections that one treatise makes to another will typically be of type violation, category mistake, nonsense - which is typical of compilers. I don't need to tell you which discipline invented the ideas of type and type error and was even largely organized around them in early and mid- 20th c, even across wildly different theoretical views.
I'm not sure I agree with this. A senior academic is usually very familiar with the canon. You don't think you will be vaporised if there is no underlying logic and saliency to the arguments in the work you present?
Yes precisely. In my eyes the lack of objective answers in much of philosophy makes it an easy target for humans getting lost in their own "rationality". People vastly overestimate their ability to reason and draw conclusions about abstract concepts that really lack strong definitions.
Some philosophy study is very good for raising the questions one should always ponder in life, but building a career on philosophy very easily leads you astray.
I have studied philosophy, literature and physics. In literature you know everything is made up, that is the point of literature, creating art, but in philosophy many people make up things and then pretend they are real. Objective ethics? Postulating the nature of reality? Please.
Editing is a craft. You have to watch everything, otherwise you don't know what you have.
A machine organising stringouts and selects can work for interviews, but not for action. But even then it is only parsing your media for semantic intent. It misses the way things are said, which often imparts a different meaning.
You can use AI features for editing. But it is unlikely you will be making anything very intetesting.
I work professionally in commercials. You literally wrote the very solid counter argument into your own comment.
For interviews, this saves hundreds of hours. Giant amounts of social content are now interview-like, including podcasts.
Your argument makes little sense to me. For narrative editing, this is a minor help. For interview-like content it cuts work by 30-70% maybe. its probably a gamechanger.
So you are satisfied with work where you have not watched all of the material? Fine if that works for you, but I would not think I'd have done a good job.
If something has compiled some great selects for me, I only have material based on what is said. But I don't know how it is said - which to me is everything. Yes, this goes for podcasts too. What I make just won't be as good as if I'd have taken the time to go through everything.
I even notice this with things like NBA highlights. It's clear the editor (or bot) never watched the game. There were moments in it that are interesting and significant. Even small incidents that are actually clutch to the outcome of the match. But it is clear they've quickly compiled all of the goals and bashed out something mediocre which does not tell the story.
I don’t care whether I’m satisfied - I care whether the client is. And does this get me faster to it? Probably yes.
In a narrative film or a project of my own I’d care. In a project for hire under a tight deadline?
Why would I? The delivery is the delivery. That’s how commercials go, at least. Clients dont ask - have you seen every bit of footage - they ask - is it ready for deadline.
It makes things more convenient for you. I'm not arguing against that. And, yes, you may have a satisfied client. But the work will not be as interesting, because you have not comprehended all of the ingested material. That is my only point. I'm not sure why this is so upsetting?
> You can use AI features for editing. But it is unlikely you will be making anything very intetesting.
What? It bears no impact on if what you're making is interesting or not, couldn't matter less. People been creating amazing things with nothing, and absolute trash with everything, and also vice-versa, seems to be all up to the person's taste and skill, and less to do with the actual tools they use.
"Taste and skill" is my exact point. If you are not watching everything you have captured, then what you make will most likely not be as interesting than if you had.
I think your mistake is to assume editing is like painting, where you can just make something brilliant with a few colours and a canvas. But editing is much more analogous to writing a book. If you have read extensively on Ancient Rome and spent time comprehending the subject, you will create something far more interesting than essentially remixing a few primer books and articles that have suggested to you by an LLM.
People have indeed "been creating amazing things with nothing" in the expressive arts, but that approach falls short when the value comes from communicating depth from narrative information.
Just get Resolve. It is similar to what FCP
was before Apple turned it into glorified iMovie. Only it is far more powerful than FCP 7 was back then.
Industry-standard NLE's like Premiere or Avid are probably the closest to Resolve. But even those are legacy programs that rest on their moats, whereas Resolve takes far more chances and does far less dumb shit than Adobe and Avid.
The seamless integration with industry-standard grading software is also... um mindblowing. Premiere has Lumetri and FCP has it'd colour correction tab, both of which are like MS Paint compared to Resolve's colour capabilities.
It's also free. The paid version unlocks mostly things to do with grading.
He is surrounded by very sharp people. They just happen to have undeclared dual allegiances to Israel. Who this war is helping achieving their regional objectives.
The chaos and stupidity narrative only mask and sustain the far grimmer reality of this operation.
The advancement of the Greater Israel project. US taxpayers directly and indirectly funding the regional expansion of a foreign state led by a genocidal maniac, which has no clear benefit to themselves.
Talk of the chaos and stupidity of Trump just obfuscates this grim political reality. Ie, focusing the narrative on political and operational incompetency misdirects the citizenry from the fact that money from their labor that could go to healthcare, education, and building community is diverted to an aggressive foreign entity.
What's the "information density" of a Matisse ot a Pollock?
There's an enormous thematic subtext of surveillance state and paranoia running in the background of The Conversation that is "informationally dense", but if you've grown up mainlining Coco Melon and Tiktok shorts, that "information" is not available to you because you have poorly developed critical faculties.
Yes but the large language STEM salad of "marginal utility of a stranger's story" and the "P2P protocol of kindness" is surely more authoritative than your real world experience.
Apologies for my sibling reply here (now flagged and downvoted to oblivion) if it was offensive to you. I thought I knew you irl and was making an overly familiar joke. Typos are nit inherently funny.
Yes, I love the redundancy of English. Language makes a playground of our minds. And yes, "picturing" is another way of saying "imagining", but to me and my mind it carries more of a connotation of visualization. Imagining may have its root in "imaging", but encompasses more imho, describing the entire Reality Construction Kit.
"Unforced choice" is an interesting phrase. Perhaps another discussion, another time. End self-expression.
If you're going to try to argue such a gargantuan point, perhaps don't lead with such a paltry example. Of course an AI video slideshow is going to be fairly indistinguishable from a human. It doesn't exactly take Ken Burns or Errol Morris to put together a decent montage. 'Brad & Kelsey tie the knot!' is going to look fairly identical, whoever cut it, because there are very limited parameters for human expression.
Heck, even my very dated Iphone generates decent sappy video sideshows from the image archive.